Now a senior photographer for some of the world’s top outdoor magazines, Long is never absent in his work. Everything is a careful composition giving the viewer a looking-glass feel, rather than some hidden perspective. He invites you to see things as he does—with textured backstory. It’s a vision that sets him apart.
Over the course of the last eight years, as a writer, I’ve been fortunate to have him as my main editorial partner on assignments that have taken us from Scotland to his native New Brunswick. In that time, I’ve watched him miss hours of sleep to get the simplest of shots and seen the smallest of details consume him; ones the average eye fails to see. He’s just as possessed by culture as he is by action, whether it be Sammy Carlson buttering a turn in powder, or the historical artifacts on a shelf at McGillivray Pass Lodge.
For a lot of years, I thought I was the storyteller on our trips. But over time, I’ve learned to see that Long is truly an equal partner—recounting nuance I never could.