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The mountains never seek to provide opportunities. Combatting howling winds and bitterly cold temperatures, Simon d’Artois and I captured this sparkling, dreamlike photograph. I remember shooting this photo with my ski gloves on and looking through the viewfinder with my goggles over my eyes. Somehow, we were able to freeze this moment within the chaos that surrounded us.

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The mountains never seek to provide opportunities. Combatting howling winds and bitterly cold temperatures, Simon d’Artois and I captured this sparkling, dreamlike photograph. I remember shooting this photo with my ski gloves on and looking through the viewfinder with my goggles over my eyes. Somehow, we were able to freeze this moment within the chaos that surrounded us.

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FRAMED
6 min

A Sense of Belonging

Israeli-born photographer Guy Fattal’s Whistler
Words and photos by
Guy Fattal
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The mountains are the ultimate playground. Looking at how rock and snow form over winter into skiable terrain is worth the chase when capturing a photo like this is the reward. Mark Abma and I spotted this line in the Whistler backcountry, and within twenty minutes, he was on top of the line, ready to ride the big wave.

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The mountains are the ultimate playground. Looking at how rock and snow form over winter into skiable terrain is worth the chase when capturing a photo like this is the reward. Mark Abma and I spotted this line in the Whistler backcountry, and within twenty minutes, he was on top of the line, ready to ride the big wave.

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Born and raised in Israel, my upbringing was about as far as you could imagine from skiing. I was first introduced to the sport as a teenager when an old family friend invited us to come along for a week vacation at a small resort in the French Alps. The experience changed the entire arc of my life—from then on, skiing would play a major role.

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Going to the moon! Whenever I step out to my balcony, I need to rub my eyes to believe this is the view. One evening, while editing photos, I suddenly turned around to see the moon rising over the Armchair glacier. I immediately ran to grab my camera and went out to the balcony. I am proud to capture this photo while wearing my house slippers.

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Going to the moon! Whenever I step out to my balcony, I need to rub my eyes to believe this is the view. One evening, while editing photos, I suddenly turned around to see the moon rising over the Armchair glacier. I immediately ran to grab my camera and went out to the balcony. I am proud to capture this photo while wearing my house slippers.

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Austin Ross is skiing down Disease Ridge’s most predominant spine. It had been a relatively dry and windy start to the season. As a photographer, my job is to always work with the conditions and use them to my advantage. I decided to try something a little different in this particular photo as I smudged water drops on my lens filter to create this effect.

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Austin Ross is skiing down Disease Ridge’s most predominant spine. It had been a relatively dry and windy start to the season. As a photographer, my job is to always work with the conditions and use them to my advantage. I decided to try something a little different in this particular photo as I smudged water drops on my lens filter to create this effect.

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Several years later, having completed three years of military service and with only a few weeks of ski experience under my belt, I set off on a multi-year journey that would take me skiing all over Europe. My deep passion for the sport and photography merged, and I collected incredible memories and captured breathtaking images. However, there was always a piece missing from the puzzle: a sense of belonging.

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Ski photography is so much about layers of sun and shade. Early season in Whistler provides an opportunity to get creative and work between those lines and textures while the sun is low and only partially lights up slopes usually blasted by hard light. This December morning, Chad Sayers and I enjoyed unreal snow in the Blackcomb Glacier.

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Ski photography is so much about layers of sun and shade. Early season in Whistler provides an opportunity to get creative and work between those lines and textures while the sun is low and only partially lights up slopes usually blasted by hard light. This December morning, Chad Sayers and I enjoyed unreal snow in the Blackcomb Glacier.

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We went for a sunrise strike mission deep in the Sea to Sky as ex-Olympian ski racer Robbie Dixon lays his turns with the iconic Mt. Garibaldi in the backdrop. This morning, we were incredibly fortunate as the pandemic shut down the world only a few days later.

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We went for a sunrise strike mission deep in the Sea to Sky as ex-Olympian ski racer Robbie Dixon lays his turns with the iconic Mt. Garibaldi in the backdrop. This morning, we were incredibly fortunate as the pandemic shut down the world only a few days later.

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Early in 2016, I made my first trip to Whistler, British Columbia. On my first day of skiing and shooting, a group of athletes and I stayed out late in hopes of catching sunset on Disease Ridge, a classic zone below Blackcomb Peak and only a short tour from the resort’s chairlifts. The views from the top of the exposed ridge reveal the Spearhead Range on one side and Whistler’s iconic Black Tusk on the other. Steep spine lines form on its northwest aspect, a result of the Coast Mountains’ prolific storms and dense maritime snowpack. The terrain and setting have garnered quite a reputation for skiers and photographers alike.

It was a cold, frosty January day, and clouds had obscured the sun for most of the day. It began to break up just a bit in the afternoon, so we set off for Disease Ridge. After 30 minutes touring, we reached the crest and waited patiently on the ridge for over an hour, fingers crossed for a clear window. What happened next was nothing short of amazing.

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The great reward of waiting out till sunset is when I can capture moments like these. After skiing the demanding upper section of Disease ridge, the lower portion provides great angles to seize the day’s final moments before the sun drops behind the distant Black Tusk. Skier: Chad Sayers

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The great reward of waiting out till sunset is when I can capture moments like these. After skiing the demanding upper section of Disease ridge, the lower portion provides great angles to seize the day’s final moments before the sun drops behind the distant Black Tusk. Skier: Chad Sayers

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The fast-moving clouds set the moody scene on a cold early-season day as Chad Sayers and Riley Leboe takes in the fresh mountain air before picking their lines down the demanding slopes of Disease ridge.

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The fast-moving clouds set the moody scene on a cold early-season day as Chad Sayers and Riley Leboe takes in the fresh mountain air before picking their lines down the demanding slopes of Disease ridge.

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The sun eventually broke through a thin line between the clouds and the peaks in the distance, painting the northwest faces of Disease Ridge with explosive, vibrant alpenglow. Rays of light that broke through the sky shimmered across the slopes—a spectacular light show.

My heart beat like mad as we rushed to set up as many photos as possible. I moved down the steep and exposed slopes of Disease Ridge to get in position, capturing shot after shot of the athletes ripping down—the pace and sensation was a completely new experience for me. The surreal moment lasted only about ten minutes, but it came to change my life.

Later that same year, I decided to move to Whistler. Ever since, I’ve called this special place home.

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I seek much inspiration from the ocean and wave surfing. I have been trying to get a photo like this one where the backlit snow imitates a crashing wave. Thankfully, after plenty of attempts, I captured this particular photo of Austin Ross getting barrelled in the Whistler backcountry.

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I seek much inspiration from the ocean and wave surfing. I have been trying to get a photo like this one where the backlit snow imitates a crashing wave. Thankfully, after plenty of attempts, I captured this particular photo of Austin Ross getting barrelled in the Whistler backcountry.

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The Tantalus range is a superb glaciated range between Whistler and Squamish. I have wanted to ski and photograph Mt. Dione’s East face for many years. Skiing these big mountain lines requires patience and knowledge to pull the trigger when conditions allow.
Thankfully, we were able to ski it in the spring of 21, and I captured this photo of Chad Sayers as early morning light landed on the slopes.

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The Tantalus range is a superb glaciated range between Whistler and Squamish. I have wanted to ski and photograph Mt. Dione’s East face for many years. Skiing these big mountain lines requires patience and knowledge to pull the trigger when conditions allow.
Thankfully, we were able to ski it in the spring of 21, and I captured this photo of Chad Sayers as early morning light landed on the slopes.

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After my first experience on Disease Ridge, I’ve returned many times. Often, I go there with my full camera setup and a crew of skiers. Other times, I find myself there simply to enjoy the mountains.

Disease Ridge inspired and shaped me as a photographer. Each time I’m up there with the camera, I’m presented with an opportunity to create something new and unique. The snow conditions, light, and environment are constantly shifting; it’s a classroom that taught me to be dynamic and continually work to showcase the mountain’s conditions, whatever they may be.

Disease Ridge provided me with the ability to sharpen my skills as a skier and photographer; it plays a huge role in my portfolio and professional work. But most importantly, it provided me with an inalienable sense of belonging.

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Chad Sayers and Tom Peiffer break trail to the top of Disease ridge on the first sunny day after a couple of stormy weeks. I love spending time in the mountains when the sun is out, and a fresh coat of paint covers the peaks. My imagination runs through the endless terrain and possibilities to explore these vast ranges.

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Chad Sayers and Tom Peiffer break trail to the top of Disease ridge on the first sunny day after a couple of stormy weeks. I love spending time in the mountains when the sun is out, and a fresh coat of paint covers the peaks. My imagination runs through the endless terrain and possibilities to explore these vast ranges.

Read more
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Chad Sayers carves through the main face of Disease ridge after a day of ski touring in the backcountry. When the ridge tops are wind affected, the open field holds the best snow.

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Chad Sayers carves through the main face of Disease ridge after a day of ski touring in the backcountry. When the ridge tops are wind affected, the open field holds the best snow.

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Guy Fattal is a Whistler-based outdoor photographer. His style aims to showcase the vastness of nature while highlighting the human experience. Combined with a unique eye for capturing light, his work has carried him to significant accomplishments by winning Europe’s 2015 ‘King of Dolomites,’ Whistler’s prestigious 2017 ‘Deep Winter Photo Challenge, and the 2020 ‘Jackson Hole Exposed.’ In his free time, Guy enjoys mastering his Israeli hummus recipe.
A Sense of Belonging
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